This Is Not for You: A Defense of Second-Person Narration

My name is Hannah, and although I didn’t begin this post writing “your name is Hannah,” I freely admit to (at least sometimes) liking second-person narration. While it may be a little too dramatic to call second person the dark alley of literary writing, it is a place where most modern-day writers of good repute don’t want to be found wandering—and not just for fear of running into whatever sketchy patrons may be lingering there.

Second person has many detractors for many legitimate reasons. Some acquisition editors of literary magazines mention receiving such an onslaught of present-tense second-person short stories that it becomes a “one more and my head is gonna blow” sort of scenario. I’ve heard the argument that use of this POV comes across as trying to strong-arm the reader into the action of the story instead of relying on subtler fundamental storytelling tactics to accomplish the same thing.

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